Musician John Bembenek realizes his bucket list dream of recording a music album. Credit: Newsday/Alejandra Villa Loarca

Artistic folks express their feelings in different ways.

“Some people paint. Some people write stories. I write songs,” said John Bembenek, 55, of Massapequa.

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Artistic folks express their feelings in different ways.

“Some people paint. Some people write stories. I write songs,” said John Bembenek, 55, of Massapequa.

For the last two months, Bembenek has been recording a music album at The Sound Cellar in Huntington, a long-held dream that he is finally realizing. Called “Forty” for the number of years it’s taken to make it, the album will include four songs, all deeply personal: There’s one about his mother battling Alzheimer’s disease and another, “Soldier,” that he wrote at 15 when his brother served in the U.S. Marines.

Clients at The Sound Cellar run the gamut from amateurs doing cover songs for loved ones to professional musicians, said Peter Iannacchino, co-owner of the rehearsal and recording studio.

In general, Iannacchino notes, most people recording music can sing, play an instrument or both. Bembenek, for example, sings and plays acoustic guitar and harmonica.

For singers performing cover songs, the studio typically uses a pre-recorded karaoke track. Singers who want to record their own music, but don’t play an instrument, can bring their own musicians or the studio can provide them, including violin, cello and saxophone players, said co-owner Dave Alini.

“If someone needs keys, bass, drums, guitar — any of the main rock instruments — I can play it myself for the most part,” Alini said.

Though Alini specializes in recording music live in the studio, the vocals and instrumentals can be done separately, with musicians even recording tracks remotely.

“I think there’s a lot of magic when humans interact at the same time, but sometimes you can’t get everybody in at once,” Alini said.

Alini said he strives to be an integral part of the clients’ creative process.

“I’m always trying to elevate people’s songs past what they thought it could be,” he said. “We capture moments in time for people. We capture emotions for people.”

Clients come away with digital files, from which they can burn CDs or send out to a company that can convert them into vinyl records.

Be patient with the process, advises Bembenek, whose song “Walls” took four separate sessions to complete.

“I think everybody, when they record something, they want the best quality and sound,” Bembenek said.

ALLOW TIME

One song might require one session — a few hours to a full day — or a few weeks. An album can take from a few months to years if you keep making changes to it, said Dave Alini, co-owner of The Sound Cellar in Huntington.

BE OPEN TO FEEDBACK

“We will make recommendations about how to approach things,” said Peter Iannacchino of The Sound Cellar. But, he said, “Some people don’t want feedback. If they feel good about it, that’s all that really matters at the end of the day.”

GETTING HEARD

These days, you don’t need an agent to get your songs heard. Try Spotify, YouTube, Facebook, Instagram, iTunes, Pandora, Snapchat, TikTok and more.

COST

At The Sound Cellar, recording one song starts at $370 for a solo artist and $500 for a band. (The price includes recording the tracks at a  cost of $55 an hour for a solo artist and $70 for bands, with a minimum two hours required; mixing, which costs $200 for a solo artist and $300 for bands; and mastering, which is $60 for digital production and $80 for analog.) 

NewsdayTV's Elisa DiStefano and Newsday deputy lifestyle editor Meghan Giannotta explore the fall 2024 issue of Newsday's Fun Book. Credit: Randee Daddona; Newsday / Howard Schnapp

Sneak peek inside Newsday's fall Fun Book NewsdayTV's Elisa DiStefano and Newsday deputy lifestyle editor Meghan Giannotta explore the fall 2024 issue of Newsday's Fun Book.